For Under Stone, the audience is at once spectator and accomplice: though members do not participate in the play, they are invited into Kalin’s head as she addresses her unseen mother. Through this dual view they are included in both internal and external goings-on, which should then give them better insight into the characters and story.

This is actually fairly unique for me, because I never write for an audience’s convenience: I write to please myself, because even if I don’t get published I’ll at least have produced something that I like.