Category Archives: Uncategorized

(Intro music) Ah, I did not see you there, please remove yourself from my potted ficus… welcome to today’s episode of “Things We Learn.” Today, we will explore the rehearsal process. Like all important television shows on public access stations, … Continue reading →

My audience is a group of people who have come to enjoy themselves. It’s my duty as a writer to make them feel the emotions I am expressing through my work. I like to write work that makes them think about the … Continue reading →

For poets, the audience is a varied group that usually depends on the type of poetry that is being performed. Audiences for beat poets tend to move a bit to the rhythm of the words and sometimes the musical accompaniment; … Continue reading →

Journalists are in a unique position when it comes to audience. We are expected to write to everyone. Anyone who can speak the language in which articles are written is supposed to be able to read and understand them. Of course, this … Continue reading →

For Soldier On, the audience partakes in the play directly when Conall gives his soliloquy . It can be delivered to the audience, which is the only time a character addresses them directly. When the soliloquy is delivered this way, … Continue reading →

I think about my audience often. Since I am attempting to convey a moment in usually brief verse, I pay close attention to language. I understand that language and familiarity with certain images comes from the readers environment and surroundings. … Continue reading →

As a playwright, it is important to think about the audience role in my work because there are techniques that break the fourth wall, or that requires orchestrated audience participation. But I find that when a playwright is not utilizing … Continue reading →

In An Irish Proposal, the audience and the main character Amanda have a very intimate relationship. Amanda allows the audience inside of her world and she completely opens up to them. She tells them about her painful past and inner … Continue reading →

See that title? That’s what I feel like whenever someone tells me I have an audience to appeal to. I think I was doing fine right up until someone brings up the fact “hey, someone might actually read this,” and … Continue reading →

For Under Stone, the audience is at once spectator and accomplice: though members do not participate in the play, they are invited into Kalin’s head as she addresses her unseen mother. Through this dual view they are included in both … Continue reading →